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“No Country for Old Men” - In Korean

Wednesday, March 05, 2008

Finished reading “No Country for Old Men” in english a couple of days ago and am now reading it in Korean.

First, I noticed how similar the film was during the first half to the book, then how it verged later on.  Pretty fascinating why the Coens made their choices and I could see why in most cases.  Once again, I was struck by how cinematic McCarthy’s writing is and how it naturally lends itself to adaptation - in fact inistently calls for it in the reading.

Now on reading the Korean translation, I’ve come across some basic questions about the process of translating text.  I suppose there must be some school of thought about this.  But here I’ve already found sentences omitted, dialogue replaced and even and example or two of just incoreect translation of sentences because of the souther slang the characters use. 

I understand that the meaning of the text is probably most important, but because of the caliber of McCarthy’s writing I felt it was wrong to have made those editorial changes.

There’s also the question of translating regional tone.  There is a certain quality of Texan speech which evokes a matter of fact, yet to me plaintive quality of communicating which I don’t think has been brought out in the translation.  That could be my own ignorance, I admit of the subletied of the Korean language which I was basically severed from when I immigrated here at age four.

Nevertheless, I’ve retained an ear for the language as well as a certain sensibility of some of the tones which can be communicated through it.

It takes me hours to get through a page because of all the looking up I have to do in the dictionary, but it’s been so far a great learning experience and one I should’ve taken up years ago.

I think once I get through this I’ll have Cormac McCarthy to thank for inspiring me to pick up my native langauge once again.

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It’s not a heavy film to say the least, but with Sir Anthony Hopkins leading the charge, the movie ends up being a fairly inspiring number. Even having the old-timers take a romp or two in the hay actually turns out to be a refreshing change. Considering how Roger Donaldson’s resume is filled with action movies such as “The Bank Job,” “Dante’s Peak” and  “Species,” it’s almost surprising how well he pulled off this charmer.

But his talent for action pays off - you’ll notice that the series where Burt Munro breaks the record for his class of motorcycle at the Bonneville Salt Flats is done very well - the intercutting is very effective in communicating how far Munro has left to go to break the record, the expectations of both the audience inside and outside the movie watching him, and the will and determination Munro shows in order to fulfill his dream - all in a few minutes’ time.





CAO Brazilia Piranha




The Best Meat Chicken Pot Pies Live in Tudor City

I ordered and expected a handmade Meat Pot Pie, but when I split the thing open and it turns out to be classic chicken bits sitting in there all warm and delicious, palling around with sweet carrots and caramelized onions. Nay, I was not disappointed. 


Vimeo

Paper Dogs -

This is my first ever short film. If I only could turn the clock back and do this all over again. In the end, it was an incredibly wonderful and humbling experience to work with everyone, especially the Asian American Film Lab which was instrumental in pushing me along.

This is a very short cut which I've tightened up a bit here - it's faster than the fast cut I made (thus "Faster"). I'm working on another cut of this so maybe things will improve if I'm lucky.

Cast: mattechi



Cast: mattechi



Tonight's Selection:

Sidney Lumet's prophetic commentary on why the discussion about Ayers and his relationship to Obama has nothing to do with anything. Because if you believe what McCain and Palin are barking at, then you also believe that River Phoenix's character shouldn't be allowed to go to Julliard - and I know you don't believe that. And really, just check out the scene between Christine Lahti and her dad.

Cast: mattechi